Interview of Fanis Katechos at Theatermag

Fanis Katechos, one of the founding members of the multiactive Art Group Fabrica Athens, talks to theatermag about the group’s actions in the midst of mandatory confinement. The second part of the SabarBar action continues, the online meetings – lessons in penitentiaries and much more.
Would you like to tell us about the Fabrica Athens Art Group?

Fabrica Athens is an independent self-managed Theatrical Organization that has tried, is trying and will try to take art into its own hands. To treat art with care, to respect art, to create conditions for the group itself, but also for other independent artists to make their dreams come true. We are interested in researching and reaching the root of the sources of art and creating suitable grounds for inspiration and creation. The group has a social status and through its art wants to give social solutions. Fabrica Athens is a living cell that is constantly changing shape depending on the season, situations and people with the energies they carry per season.

Despite the lockdown condition, how can artists and the world be creative?

Creativity is an internal process that often has an external impact. A sculpture, a poem, a song, to how I cook or make my house. Many times when man is pressured by various conditions, his need for expression and creation swells. It may be an inner cry that tries to externalize so as not to explode. So if this is not the time to create, when will be the time?

What are you doing at the moment?

The actions we prepare are varied and we hope to be able to carry them out. Initially, the second phase of the Sabarbar action continues, which we implement together with the team No Play – Urban Project and other independent partners. A free songwriting seminar will be held at this stage. At the same time, we continue with Stathis Grapsas the online meetings – lessons in penitentiary establishments. That we have the opportunity to maintain this relationship with the prisoners, we believe is important for both sides.
It is important to keep the thread, because imagine that at the moment penitentiaries are not allowed to visit. So, continuing the courses creates a bridge of communication with the society.

The courses hosted by the roof of our Organization, Fabrica Artspace, continue online. Contemporary acrobatic dance, power stretching, shendao qigong, movement medicine and pilates – as the closed team of the “Research Theater” workshop of Fabrica Athens continues.

The Theater of Research continues to explore theater-pedagogical ways that respond to current reality and events. In addition, the documentary created on the way of work that followed the “Research Theater” in the previous quarantine is completed. The documentary was created by Adriana Maltezeanou as part of her internship at our artistic organization. Also, through the practices of the Theater of Research, the performer and trainer of the organization, Giovanna Michaliadi Sarti, continues the research for the creation of the play – study “Xanthi”, which we hope will be presented when conditions allow. We are also working on an educational show with soap bubbles (Bubble Performance), where in addition to the documentary there will be a place that will take us on a journey into the scientific phenomenon of the soap bubble.

Would you like to tell us how the idea for the “SabarBar” action came about?

Sabar is a type of cactus, while in Arabic it is associated with the concept of patience. We wanted to express ourselves together and create something that is connected to the public space of the neighborhood of Exarcheia, but that lasts over time. Thus, SabarBar was born in March 2020, when within the framework of the Co-Athens / Curing the Limbo program of the Municipality of Athens, 20 Athenian groups from various fields met with the refugee participants of the program, with the aim of trying an original idea in practice. The locals of the city are active in the field of culture, but also in other practices, to actively cooperate with our newly arrived roommates, jointly proposing ideas that can make our city better. We for SabarBar work closely with the UrbanDig Project.

What is the response of the people so far?

Despite the difficult times we are going through due to the quarantine, more than 40 people showed interest in the Online Oral History Seminar we held. The purpose of this series of workshops was to get acquainted with the methodology of oral history: the collection and processing of oral testimonies. The seminar included four 1½ hour online meetings and at least one live or online interview that each participant would take.

It was held under the guidance of Tasoula Vervenioti -historic with great experience in oral history- while, as a process, it was coordinated by George Sachini. The participants showed great motivation and the oral story material collected as deliverable was extremely interesting. According to Tassoula, she did not lag behind in any of the corresponding “live” Oral History seminars.

What other projects are you preparing?

We are in the phase where the narratives of the inhabitants of Exarcheia will be turned into songs. Experienced lyricists and composers will be inspired by the material of Oral History that has been gathered by the participants of the workshops with Tasoula Vervenioti and will write lyrics and music, slowly building the “music map” of the city. The songs will be uploaded on the open platform troubadours.gr, an application created by the UrbanDig Project with the Alternative Tours of Athens, while they will be the trigger for a musical-theatrical event that will be presented in the streets of Exarcheia, when conditions allow. The project is part of the co-Athens implemented by the European pilot program of the Municipality of Athens Curing the Limbo. The program is co-financed by the NSRF under the UIA program.

What is your wish for the period we are going through?

Good start to the new season to come. Let us all manage to be reborn from our ashes, to shake off our shoulders coats that do not belong to us and to move on to a new page, which we will fill with beautiful colors this time.

Many thanks to theatermag. You can find the interview with photos here.

Ten Worlds in the Passage of a Ephemeral Breath

Ten Worlds in the Passage of a Ephemeral Breath

“The theater is not here to monologue, but to communicate, animate and unite.”

Nowadays, through the art of theater,  wanted the disease of our state to be revealed. A system whose operation is not much different from any other mechanical system, and which, from the smallest gears to the engine of its engine, limps. It only takes a part of the system, a small part of it (but a large one does the same), that it has not been properly maintained, that its quality or performance has not been ascertained, in order to deregulate its proper operation.

If we assume that each part that makes up the system is our function in it, that is, the way in which each of us acts, acts and offers to the system and consequently the way in which it communicates, cooperates and interfaces with the rest parts of the system, then in my case and Fabrica Athens, this way is art and specifically theater.

Theater

One of the functions of the theater, the one that moved me to get to know it, is communication. Throughout the theatrical process (from the rehearsal, to the exhibition – presentation, but also the discussions – actions that it can trigger) a creative dialogue unfolds (verbal and non-verbal) that develops in a fertile ground of respect. At least that is the case with our team and its collaborations. This process has an astonishing extroversion, which springs from and is based on a diametrically opposed, profound introversion.

Along the way I also realized that the theater is moving. It can be the reason for a change in a unit, in a whole, in a series of events, while these in turn can also contribute to the change of the theater. In this way one can say that theater can be in cases of prevention, ephemeral medicine or even treatment.

Now

In the place and time in which we live, and as part of the state system mentioned above, it is crucial for everyone to offer and resist whatever means they have and express it. With this thought, the action “Ten Worlds in the Passage of a Ephemeral Breath” beyond a musical course, as it seems at first sight, is both a social act and a statement. That the theater does not wait for the stages and opportunities in culture to reopen. Theater is a living organism and seizes the opportunities of life now as part of life itself. The theater is not here to monologue, but to communicate, animate and unite.

The inspiration for the action was the collection of handmade masks “Couples in the Ten Worlds” by my mother, Sylvana Sarti. The Ten Worlds referring to Nietzschean Buddhism (the World of Hell, Hunger, Beastliness, Anger, Calmness, Euphoria, Learning, Understanding or Partial Enlightenment, Bodhisattva and Enlightenment), the ten ways which we understand and respond to phenomena, or in fact in reality, contain each other and coexist in every moment of life; even in this “dark” period we are going through. It is up to us to direct our energy and what our intention is to enlighten these worlds.

Athens, 08.03.2021

Joan Nino

The first exit

The action made its first pass on Saturday, March 6, from the neighborhoods of Kerameikos and Metaxourgeio. Stations of her route were:

  •  The Other Man
  • The Park of Alexander the Great & Mycenae
  • The Public Trademark
  • Avdi Square
  • The National Theater – Ag. Konstantinou 22 (Support for the building encirclement action)
  • The pedestrian street of Paramythias Street

Factors of action

Performer: Artemis Kryonopoulou, Eleftheria Kalampoka, Katerina Markezini, Natassa Arabatzi, Stevi Theodosiou, Joan Nino
Artistic support: Fanis Katechos
Cinematographer: Costas Tataroglou – Cinemascoop
Masks: Silvana Sarti
Directed by: Joan Nino
Thank you for the practical support: Marialena Priovolou, Myrto Vamvaka

Online courses- Fabrica Athens

Online Courses from Fabrica Athens
The courses and educational programs of the Fabrica Lab, as well as the hosted courses of the Fabrica Artspace continue online!

Fabrica Athens, after the latest developments, and the cessation of all the activities of the Fabrica Artspace, starts online training courses and workshops. From Monday 16/11 until the live meetings are allowed, it invites you to a number of online courses.

Research Theater, Yoga, Flexibility and Empowerment, Qi Gong Shen Dao, Pilates, Kinetic Meditation and Contemporary Acrobatic Dance are the courses offered by Fabrica Athens trainers and partners.

The online training courses that are offered, are addressed to everyone who seeks creative uses of their free time in these difficult days and wants to know the educational activities of the team.

More information about the Fabrica Athens theater group can be found here.

The courses that will make up the online course are:

Yoga

Yoga classes are a personal encounter with the breath, body and mind.

The space and what it includes.

Meeting with the inside, the outside and the space between them.

With pause and silence.

A link to I Am That.

One step towards True Nature.

The aim of these courses is to be a small retreat or otherwise a short break in everyday life. To create space and time for personal training and relaxation of the body and mind, so that the practitioner returns refreshed to the whole.

Learn more details here.

Every Saturday

11:00 – 12:00

To participate in the online course it is necessary to book a place in time by email: researchtheater@gmail.com

trainer: Giovanna Michaliadi Sarti

Power Streching

In this course we will aim at both muscle strengthening and alertness, as well as the rearrangement of muscles and joints able to support any movement and quality of movement. With alternations of stretching exercises and strengthening exercises we create a strong and elastic body, reducing the chances of injuries.

The course is aimed at professionals and amateurs, dancers, actors and people of all levels in motion.

Learn more details here.

Every Tuesday and Friday

16: 00-18: 00

To participate in the online course it is necessary to book a place in time by email: naspell.aniline@gmail.com

trainer: Natassa Arabatzi

QiGong – ShenDao

Qigong-ShenDao is based on the normal and basic principles of movement. Through this, we discover that every movement of our body is the consequence of an internal movement of energy. Its practice leads to a better functioning of the nervous and musculoskeletal system, as well as the internal organs. It offers us health and well-being and allows us to reconnect with joy and Life. For those who engage in a form of physical / artistic expression, ShenDao is a valuable tool as it enhances vitality and presence, giving flow and precision to movement. In a first phase, it allows us to be a conduit of energy, to guide it and to store it.

Learn more details here.

Every Wednesday

19:30 – 21:00

To participate in the online course it is necessary to book a place in time by email: iaimilios8@gmail.com

trainer: Emilios Italikos

Pilates

Pilates method avoids high impact, high power output, and heavy muscular and skeletal loading. The exercises are performed on the special mat (mat) with special accessories (props) such as large and small balls, rings, rubber bands, rollers.

The benefits of pilates are many, such as pain relief, balance, flexibility, strength and muscle endurance, spine decompression, orthosomal improvement. This can improve musculoskeletal problems such as scoliosis, kyphosis, lordosis and lower back pain.

Learn more details here.

Every Wednesday & Friday 19: 30-20: 30 and Monday, Wednesday, Thursday & Sunday 12:00 – 13:00

In order to participate in the online course, it is necessary to book a place in time by email: fankey83@yahoo.gr

trainer: Fani Karantoni

Movement Medicine

Meditation • Dance and Physical Expression

The online sessions of Movement Medicine Greece started spontaneously due to the special circumstances of last spring. It soon turned out that the online experience was extremely beneficial for many people, with different levels of experience and a connection to movement and meditation. And so they continued from the beginning of this season, before the news came to us about the new restrictions, bringing together people from many different parts of Greece and Europe. The goal is to keep moving together, with what we have right now and what is coming, and to do the best we can to stay active, creative and in touch!

What Movement Medicine is; Movement Medicine is a physical practice of motor meditation / awareness through movement that combines the pleasure of our dance with the focus of mindfulness – in motion! Together, it brings the wisdom of shamanic understanding of our precious relationship with nature and the world around us. It invites us to breathe, to return to our body, to listen to it and to let it “translate” our experience into movement.

Learn more details here.

Every Monday

20: 30-21: 45

In order to participate in the online course, it is necessary to book in advance at the email: movement.medicine.greece@gmail.com

trainer: Maria Varela

Contemporary Acrobatic Dance

Our online courses include warm-up, empowerment, flexibility and short choreography. We start with strengthening the core to warm up, we continue with stretching the muscles and tendons to maintain the range of their movements and their proper perspiration to avoid injuries.

We stay at home. We stay active.

Learn more details here

Every Tuesday and Thursday

17:00 – 18:30

To participate in the online course it is necessary to book a place in time by email: georgiakotokou@gmail.com

trainer: Georgia Kotokou

SaBarBar project in the context of co-Athens

The multiactive Art group Fabrica Athens collaborates with the group No Play / UrbanDig Project and presents sabarBar.

The sabarBar project is a platform for open participation in a co-creation process, triggered by true stories, testimonies and narrations of residents of Exarcheia. These stories will be turned into lyrics, songs, chants and a theatrical polyphonic event.

Starting point is a “datsun” with a body or otherwise an “art and meeting place on wheels”. Every now and then it will park in Exarchia and will create an occasion for us to meet, to exchange ideas and reflections. At the same time, he will collect stories, inform and invite everyone to take part in the next actions.

This collaboration has its roots in last March. As part of the Co-Athens / Curing the Limbo program of the Municipality of Athens, 20 Athenian groups met with the refugee participants of the program, with the aim of testing an original idea in practice. The locals of the city and active in the field of culture and other practices, to actively cooperate with our newly arrived roommates, jointly proposing ideas that can make our city better.

Two months of systematic digital meetings gave rise to the idea of ​​Sabar Bar. Sabar Bar meaning “cactus” and “patience” in Arabic. The concept of Sabar Bar inspired us to create something that will last in time. Songs taken from the most beautiful and powerful stories that the area and its people have to tell.

SaBarBar is a call to an unmediated experience of sharing and open discussion in public. An attempt to learn from each other through the way everyone perceives reality in the neighborhood. With the aim of finally bringing the ‘other realities’ into a dialectical relationship with each other, highlighting practices of co-creation, synergy and active participation in the commons.

The actions of saBarBar are addressed to everyone! They include extroversion activities in the neighborhood, oral history workshops, song and theater creation, (open) rehearsals and a theatrical polyphonic event.

SaBarBar was co-created by Momina Algaga, Vasia Balkanioti, Yaman United, Fani Katecho, Anna Magoulioti, Katerina Protonotariou, George Sachini, Mohammad Tayeb. It is a collaboration of not playing / UrbanDig Project with Fabrica Athens.

Look for it and… join the ride !! To turn the road together into an open workshop of expression and co-creation.

Contact:

FB – Sabarbarproject

Email – sabarbar.project@gmail.com

“The action is part of the co-Athens implemented by the European pilot program of the Municipality of Athens Curing the Limbo. The program is co-financed by the ERDF under the UIA program.”

Theatrical Connections

1st Seminar Theatrical Connections – Methoni, Messinia
The Multi-active Art Group Fabrica Athens crossed the cosmopolitan borders of Athens and for the first year transferred its educational activity to the diverse countryside of Greece.

Our team held the 1st seminar “Theatrical Connections” in the coastal Methoni of Messinia in August 2020, while at the same time organized a summer Cultural Week with activities and events for all ages.

The main goal of the theatrical seminar was the exchange and the creation of connections between the participants and the organizers of the seminar with the provincial city that hosted the action and its inhabitants. This was achieved through the implementation of free actions and events for the public of Methoni, which had as a point of reference the people of the theatrical seminar.

The seminar was attended by 11 participants – artists from Athens and London, while the organizing – educational mission of Fabrica Athens consisted of 5 people. The participants of the workshop enjoyed moments of artistic research, creation and recreation 24/7, since the experience of the seminar in nature, included:

  • Accommodation at Camping Methoni (10 steps, literally, from the sandy beach).
  • Visits to monuments of historical importance (Kapodistrian Mutual School of Methoni, Methoni Castle) and places of natural beauty (walk in the city).
  • Participation as artists – animators in recreational events for the residents and vacationers of the area.

In addition, it should be noted that all this would have been impossible without the invaluable support of the local community. Despite the difficulties and the peculiarity of the times, the people of Methoni enthusiastically supported and participated in all the activities of the Cultural Summer that we designed for them.

More specifically, the local and tourist public of the Messinian city, within 10 days attended the following open – free actions:

  1.  Daily Yoga on the beach of Camping Methoni
  2.  1 Circus Lab and Skills Laboratory, Circus Lab
  3.  2 Soap Bubble Shows, Mr and Mrs Bubble – The Show
  4.  2 Performances with Fires, Fire Show
  5.  1 Musical performance – live entitled “A guitar two voices”
  6.  1 Performance Circus with 13 artists, Circus Variete
  7.  1 Site Specific Performance Walking entitled “Connections”. This play was created during the 10 days of the seminar “Theatrical Connections”. The performance was directed by the place itself, as participants and trainers were inspired by the unique elements that govern it for its creation (history, mythology, geography, geology, tradition, people, experiences, etc.).

It is equally important to note the local sponsors who supported the “Theatrical Links”:

  • Camping Methoni
  • ILIODYSI HOUSES
  • Modon Restaurant
  • Kitchen “Katsarola”
  • The Tavern “O Alector”
  • Surrealism Café – Bar
  • Street Art Café
  • Greophone Creperie

While at the same time we would like to thank them warmly for their selfless offer:

who contributed significantly to the whole process, with the guided tours and the concession of the Cultural Center of Methoni.

A piece of history

The relationship of the theatrical organization of Fabrica Athens with the city of Methoni was built gradually. After 4 years of summer tours in Methoni and the Costa Navarino Resort, our team managed to turn a dream into a piece of history.

To bring theater – art close to nature (since the former feeds on the latter and only close to it finds strong roots), but also to bring culture outside the major urban centers, to more remote areas, such as Methoni.

This for a self-managed group like ours is a big first step to continue to organize and carry out cultural activities, such as the “Theatrical Connections”. As Fabrica Athens’s research scope extends to the use of theater and other performing arts as a social and anthropological tool, the team aims to invest in:

  1. Actions addressed to remote areas of Greece and to an audience with fewer cultural opportunities.
  2. Artistic interventions that create cultural – social – human connections and a channel of communication and
  3. Cultural activities that have a multifaceted impact on the place and its people, with the aim of their positive development.

Fabrica Lab 2020

Fabrica Lab 2020 – Registrations are open!

The courses and educational programs of the Fabrica Lab start at Fabrica artspace!

Fabrica Lab returns for the 3rd year with a ten-day open course at the 8th Handmade and Recycled Theater Festival! From September 24 to October 4, the public will have the opportunity to try the multidimensional educational program of the most handmade art space in Athens.

This year, the experienced trainers of the Fabrica Athens Multi-Action Art Group will conduct a variety of courses and workshops, while integrating valuable and specialized collaborators into the Fabrica Lab.

Research Theater, Yoga, Suzuki Meetings for Actors, Acrobatic Dance, Qi Gong Shen Dao, Stilts and Hoop Dance are the courses that will make up this year’s Lab program.

The drop in courses, the annual cycles of the workshops, the trainings, but also the seminars are addressed both to the general public and to professional and student artists (actors, performers, dancers, etc.).

The departments of Fabrica Lab 2020 will be small, while those interested will have the opportunity to create closed departments with their relatives. In addition, interested parties are invited to contact the team for class hours, as the posted schedule is indicative. The schedule of the courses will be adjusted based on their own needs and will be able to range from breakfast, lunch and afternoon.

More information about the Fabrica Athens theater group can be found here.

Fabrica Lab courses, workshops & programs:
Theater of Research

Content & Objectives of the Workshop: The annual workshop “Theater of Research” improved and renewed as every year, has as its object the training and training of Artists – Performers in Theatrical Research, Creation and Education.

In the annual course of the Theater of Research, participants will be trained as “Dimensional Performers”, ie Performers, who self-manage their art, have a multidimensional view of the performing arts and are equipped with the appropriate tools to to maneuver in a variety of interpretive ways.

At the end of the workshop cycle, participants receive an official Certificate of Attendance from the Theatrical Organization of Fabrica Athens.

Find out details here.

trainer: Fanis Katechos.

Modern Acrobatic Dance

During the lessons we will research the kinetic vocabulary of modern dance and we will work on both the physical capabilities (technique, dynamics, flow, balance and acrobatics) as well as the expansion of our dance memory. We will explore the possibilities of sequencing small and larger dance / kinetic combinations, and their functionality in space. We will play with the alternations in the composition of these combinations (sequence, quality and speed).

The aim of the course is to find the mechanics of each movement and its possible alternations, to play the limits of a three-dimensional movement in space and to develop a choreographically complex result that will emerge through simpler kinetic materials.

The course is aimed at people of all levels in contemporary dance.

trainer: Natasa Arabatzi

Find out details here.

Yoga

Yoga classes are a personal encounter with the breath, body and mind.

The space and what it includes.

Meeting with the inside, the outside and the space between them.

With pause and silence.

A link to I Am That.

One step towards True Nature.

The aim of these courses is to be a small retreat or otherwise a short break in everyday life. To create space and time for each person for personal training and relaxation of the body and mind, so that the trainee returns refreshed to the whole.

Find out details here.

trainer: Giovanna Michaliadi Sarti

Suzuki Training Meetings

The purpose of the meetings is to create a common place and time, where performing artists have the opportunity to learn about the Suzuki Method for Actors and to train together, based on its techniques. The need to hold meetings and disseminate the world-renowned Suzuki method arose after the meeting coordinator participated in the Suzuki Training summer program in Japan with Tadashi Suzuki, Kameron H. Steele and Aki Sato-Johnson. By encouraging their students to share the method and continue to train with a group, the meetings are not so much a lesson as a lesson, but a willingness to build a group theatrical practice environment based on the technical / physical code and the values ​​of the method. Suzuki.

Find out details here.

Coordinator: Giovanna Michaliadi Sarti

Hoop Dance – Dance with Hula Hoop

For those who like dance, acrobatics, juggling or all three, Hoop dance is the ideal combination of them in one lesson! A lesson of expression, gymnastics and fun.! Hoop dance is aimed at those who are bored of dancing on their own, those who like dancing and acrobatic elements in it and those who like to learn themselves through their connection with something outside of themselves, experimentation and the acquisition of new skills.

Find out details here.

trainer: Giovanna Michaliadi Sarti

QiGong – ShenDao

Qigong-ShenDao is based on the normal and basic principles of movement. Through this, we discover that every movement of our body is the consequence of an internal movement of energy. Its practice leads to a better functioning of the nervous and musculoskeletal system, as well as the internal organs. It offers us health and well-being and allows us to reconnect with joy and Life. For those who engage in a form of physical / artistic expression, ShenDao is a valuable tool as it enhances vitality and presence, giving flow and precision to movement. In a first phase, it allows us to be a conduit of energy, to guide it and to store it.

Find out details here.

trainer: Emilios Italikos

Pilates mat & props

Pilates method avoids high impact, high power output, and heavy muscular and skeletal loading. Pilates method avoids high impact, high power output, and heavy muscular and skeletal loading.The benefits that will be gained from pilates are many, such as pain relief, balance, flexibility, strength and muscle endurance, decompression of the spine, improvement of orthosomy. This can improve musculoskeletal problems such as scoliosis, kyphosis, lordosis and lower back pain.

Find out details here.

trainer: Fani Karantoni

“Dimensional Performer” Theatrical Research and Training Program

The “Theatrical Research and Training Program” of Fabrica Lab was formed after years of fermentation by Fabrica Athens with:

The research of modern and traditional theatrical methods, performing arts and practices

The training of young performers and theatrical ensembles

The use of theater as a social and anthropological tool, as well as as a tool of non-formal education (social theater, theater in formal and nonformal education)

The aim of the program is to train “Dimensional Performers”, attending a set of courses. The “Dimensional Actor”, is the one who:

-Self-manages his art

-He is a creator: He works creatively and with the best performance within a team, but also on his own

-Can and does work at high endurance limits, like an athlete.

-It has a multidimensional view of art and can be maneuvered in a variety of interpretive ways

Theater of research – Fabrica lab 2020

Theater of research – Fabrica lab 2020

Registrations have started! The annual workshop Theater of Research continues its course for the 8th consecutive year at the Fabrica Artspace. Improved and renewed as every year, its object is the education and training of Artists – Performers in Theatrical Research, Creation and Education.

Research Theater – The workshop can be attended individually or in combination with other courses of the Fabrica Lab, but also in the framework of the Theatrical Research and Creation Program “Dimensional Actor”.

Lab Content & Objectives:

In the annual course “Theater of Research” participants will be trained as “Dimensional Performers”, ie Performers, who:

-They self-manage their art

They learn how to research, to be independent creators and trainers of visual arts, but also how to be efficient with their presence in a team and in the hands of another creator

– They have a multidimensional view of the performing arts and are equipped with the right tools to maneuver in a variety of interpretive ways.

They receive a comprehensive theatrical training and multiple stimuli in order to choose their own specialization in the performing arts. They know practically and theoretically the physical theater, the devised theater, the street theater / street performance, the site specific performance and the theater as a social and anthropological tool (social theater).

During the 3 semesters of the annual theatrical workshop, the trainees will be trained on world-known methods and techniques of physical theater, but also techniques that have been developed through the path of the Research Theater itself. More specifically, participants will practice ground acrobatics, Jerzy Grotowski and Odin Teatret physical theater techniques, yoga and qigong practices, mime and theatrical clown techniques, and Susan Batson acting techniques.

In more detail per teaching semester:

October ǀ November ǀ December

“Scuba diving”

In the 1st semester the participants:

-They redefine their presence in the here and now.

-Discover the tools they have as performers / performers (body, mind and emotion).

-They extend the limits of their physical and mental endurance and learn to manage energy in various bodily actions.

-They locate their visible and invisible masks and work on bringing themselves to the “zero point” or “white cloth”, where everything is recorded from the beginning.

-They work intensively with the center of the body to expand consciousness in movement and release breath.

January ǀ February ǀ March

“Change”

During the 2nd quarter,

-The participants are suggested in the relation of the body with the sound that it produces (embodied sound).

-Practitioners discover their natural – primitive sound and work on strengthening their respiratory system and body speakers.

-Irritable bonds of the individual are created with the whole and they re-create relations with the surrounding space and the objects / bodies that it includes.

April ǀ May ǀ June

“Production”

In the last quarter of the workshop the trainees:

They organize the practical and theoretical material that they have collected and produced by themselves.

They create their personal training, which they are invited to share with the team.

They present the documentary material they have created in a directed composition.

Certificate of Attendance:

At the end of the laboratory cycle, the participants receive an official Certificate of Attendance from the Theatrical Organization of Fabrica Athens.

Finally, although the annual “Theater of Research” workshop is independent, those interested are encouraged to continue their studies in the “Theatrical Research and Training Program” of Fabrica Athens, which lasts one or two more years. In this the trainees continue the 2nd year deepening in “Alalagmos – Part B ‘”. At the same time, they create an ensemble performance and, based on the peer-to-peer method, are trained to teach younger learners. In the 3rd year, a separate work is done with each trainee to create a solo performance. More details about the “Theatrical Research and Education Program” click here.

Target Audience:

The training is aimed at professional artists (performers, actors, dancers, etc.), students of documentaries and other arts, but also people with less experience in the (performing) arts, who have the mood and availability to work in a dynamic group centered on the theater.

Registrations:

To register, those interested need to send an email to researchtheater@gmail.com with the subject “Annual Research Theater Laboratory”, which will include:

-Resume

-Portrait photo

-Contact details (phone, email)

trainer: Fanis Katechos.

Information

Course: Theater of Research

Where: Fabrica Artspace

When: Every Wednesday or Thursday, 17:00 – 20:00

(The posted program is indicative. Those interested are kindly requested to contact the Fabrica Athens team for the hours of the classes, as they will be configured based on their own needs and can range from morning, noon and afternoon. In addition, they have the ability to create closed sections with their familiar faces. All departments are small. Due to the special circumstances it is necessary to book a place by phone and to be informed 1 day in advance in case of cancellation. The sections that will be created will be closed and their configuration will be completed by the beginning of November. )

Cost: For packages and information contact us at the following details

Reservations: +30 6973597570 (by phone)

Information: researchtheater@gmail.com, 210 34 11 651 (Monday to Friday, 12:00 – 16:00)

Hoop Dance – Fabrica Lab 2020

Hoop Dance – Fabrica Lab 2020
Hoop Dance ǀ Dance with Hula Hoop

Private and group Hoop Dance lessons at the Fabrica Artspace. The Fabrica Athens multiactive Art Group includes for the first year in the Fabrica Lab 2020 program the original, playful dance lessons with Hula Hoop.

Hoop Dance – The lessons can be attended individually (drop-in), in a monthly package with or without other Fabrica Lab lessons. There is the possibility of private lessons, but also in group classes.

To see all the courses and programs of Fabrica Lab 2020 click here, while for more information contact us at the details listed at the end.

Hoop Dance – Dance with Hula Hoop

For those who like dance, acrobatics, juggling or all three, Hoop dance is the ideal combination of them in one lesson! Widespread mainly in the USA, but also in some parts of Europe, Hoopdance (the dance with a wreath – hula hoop), is a special way of expression, exercise and fun.

The Hoop dance course is aimed at those who are bored of dancing on their own, those who like dancing and acrobatic elements in it and those who like to learn themselves by connecting with something outside of themselves, the experimentation and the acquisition of new skills.

This course is open to all levels. The courses are private or in small groups and personal work is done with each participant separately. Within an hour and a half, hoopdancers practice the basic principles of hoop dance, learn trick with the wreath (depending on the level of each), which in the end we include in a choreography (hoopography).

trainer: Giovanna Michaliadi Sarti

Information

Course: Hoop Dance – Dance with Hula Hoop

Where: Fabrica artspace

When: Every Saturday 10:00 – 11:30

(The posted program is indicative. Those interested are kindly requested to contact the Fabrica Athens team for the hours of the classes, as they will be configured based on their own needs and will be able to range from morning, noon and afternoon. In addition, they have the opportunity creating closed sections with their familiar faces. All sections are small. Due to the special circumstances it is necessary to book a place by phone and to be informed 1 day in advance in case of cancellation. Priority order is observed.)

Drop in cost: 10 euros (+ VAT) (For packages and information contact us at the following details)

Reservations: +30 6949409474 (by phone & by SMS)

Information: researchtheater@gmail.com, 210 34 11 651 (Monday to Friday, 12:00 – 16:00)

Suzuki Meetings Training for Actors – Fabrica Lab 2020

Suzuki Meetings Training for Actors – Fabrica Lab 2020
Suzuki Training for Actors – Fabrica Lab 2020

Suzuki Training Weekly Meetings for Actors at the Fabrica artspace. The multiactive Art Group Fabrica Athens, in the context of its artistic research, includes for the 2nd year in the program of Fabrica Lab the theatrical meetings based on the Suzuki Training method for Actors.

Suzuki Actors Training Meetings – The meetings can be attended individually (drop-in), in a monthly package with or without other Fabrica Lab courses, as well as in the framework of the Theatrical Research and Creation Program “Dimensional Actor”.

To see all the courses and programs of Fabrica Lab 2020 click here, while for more information contact us at the details listed at the end.

Suzuki Training Meetings for Actors

The purpose of the meetings is to create a common place and time, where performing artists have the opportunity to learn about the Suzuki Method for Actors and to train together, based on its techniques. The need to hold meetings and disseminate the world-renowned Suzuki method arose after the meeting coordinator participated in the Suzuki Training summer program in Japan with Tadashi Suzuki, Kameron H. Steele and Aki Sato-Johnson. By encouraging their students to share the method and continue to train with a group, the meetings are not so much a lesson as a lesson, but a willingness to build a group theatrical practice environment based on the technical / physical code and the values ​​of the method. Suzuki.

A few words about the Suzuki method:

An MRI reveals to the patient where they are located and what are the deep problems of his body. The theatrical method of Tadashi Suzuki for the actor-performer works in the same way.

The Suzuki practitioner has the opportunity to find out where he is sick, just like the MRI scanner does. The only difference between the theatrical method Suzuki and the tomograph is the following: the first, in addition to showing you where the disease is, gives the actor-performer the opportunity to be healed.

So, the Suzuki Method is a world-renowned theatrical workout that:

Highlights in the actor – performer unresolved knots and obstacles.

-Through practice he solves and overcomes the obstacles that appear.

-Gives the actor-performer the ability to manage his energy level and makes him ready.

Encourages practitioners to live in the “question” instead of the “answer” and to constantly strive for their improvement.

Those interested in participating in the meetings are kindly requested to wear comfortable, black sportswear with a fitted line and to have white, sports socks with them.

Coordinator: Giovanna Michaliadi Sarti

Information

Course: Suzuki Training for Actors

Where: Fabrica Artspace

When: Every Tuesday, 18:30 – 20:00

(The posted program is indicative. Those interested are kindly requested to contact the Fabrica Athens team for the hours of the classes, as they will be configured based on their own needs and will be able to range from morning, noon and afternoon. In addition, they have the opportunity creation of closed sections with their familiar persons. All sections are small. Due to the special circumstances it is necessary to book a place by phone and to be informed 1 day in advance in case of cancellation. Priority order is observed.)

Drop cost: 3 euros (+ VAT)

(For course packages and information contact us at the following details)

Reservations: +30 6949409474 (by phone & by SMS)

Information: researchtheater@gmail.com, 210 34 11 651 (Monday to Friday, 12:00 – 16:00)

“Dimensional Performer” Theatrical Research and Training Program

“Dimensional Performer” Theatrical Research and Training Program

Theatrical Research and Education Program at Fabrica artspace.

Registrations have started!

The Fabrica Athens Multi-Active Art Group introduces for the first year a complete Theatrical Training Program for Actors and Performers.

Content and objectives of the program

The “Theatrical Research and Training Program” of Fabrica Lab was formed after years of fermentation by Fabrica Athens with:

1. The research of modern and traditional theatrical methods, performing arts and practices

2. The training of young performers and theatrical ensembles

3. The use of theater as a social and anthropological tool, as well as as a tool of non-formal education (social theater, theater in formal and nonformal education).

The aim of the program is the training of “Dimensional Performers”.

The “Dimensional Actor”, is the one who:

-This- manages his art

-He is creative: Works creatively and with the best performance within a team, but also alone.

-Can and operates at high endurance limits, like an athlete.

-It has a multidimensional view of art and can be maneuvered in a variety of interpretive ways.

By attending a set of courses the participants:

-Know the tools they have as a performer through methods and techniques of physical theater, as well as other practices

-Learn how to research in the artistic and educational process.

-They receive a comprehensive, practical training and a variety of stimuli on the theater, where everyone finds their specialization in the performing arts

-They create their personal method of theatrical practice

-Trained to be independent creators, performers and trainers.

They produce personal and group documentary material (short performances, events, act, etc.), which they can use at any time.

-They make their personal performance (solo performance) from scratch, which they have forever in their suitcase, so that they can be educated and educated by it.

The central pillar of the program is the course “Theater of Research“, the theatrical path introduced by the main inspirer of the program, Fanis Katechos. The “Research Theater” will include classes in other theatrical methods, performing arts and practices, such as Yoga, Qi-Gong-ShenDao, Acrobatic Dance and the Suzuki Method for Actors.

In addition, program participants will have the opportunity to attend with priority a series of seminars, programs and trainings that will be conducted by the Fabrica Athens team. Watching them will work positively in the most immediate and comprehensive training of the participants on how a professional theatrical team that lasts over time works and on the alternative ways of action of a performer-artist. Specifically:

-Training Training Course: Theater of Research

– Stilt training

– Youth Exchange Programs – Erasmus +

-Theatrical Youth Exchange Programs

-Seminars (Workshop) of various subjects

Program cycles:

The “Theatrical Research and Education Program” is divided into three annual cycles, of which:

-The 1st cycle is independent and the participants can only watch it.

-The 2nd cycle presupposes the monitoring of the 1st.

-The 3rd cycle is optional and presupposes the attendance of the previous two years.

Note that for each year the participants receive the appropriate certificate of attendance.

Registrations:

To register, those interested need to send an email to researchtheater@gmail.com with the subject “Annual Research Theater Laboratory”, which will include:

-Resume

-Portrait photo

-Contact details (phone, email)

1st Annual Cycle

Diving – Part A.

– Redefining the trainee’s presence in the here and now.

– Discover the tools they have as performers (body, mind and emotion).

– Extension of the limits of physical and mental endurance

– Management of energy in various bodily acts.

– Detection of visible and invisible masks

– Return the self to the “zero point” or “white cloth”, where everything is recorded from the beginning.

-Intensive work with the center of the body to expand consciousness in movement and release of breath.

Alternation – Part A.

– Introduction to the relationship of the body with the sound it produces (embodied sound).

– Discovery of natural – primitive sound

– Strengthen the respiratory system and body speakers.

Production – Part A.

– Organization of the practical and theoretical material that has been collected and produced by the participants.

– Creation of personal training and presentation.

– Presentation of the documentary material that has been created in a directed composition.

2nd Annual Cycle

Diving – Part B.

– Development and implementation of personal training

– Introduction to the peer-to-peer teaching method

– Execution of personal training to younger trainees

Alternation – Part B.

– Development and implementation of personal training

– Introduction to the peer-to-peer teaching method

– Execution of personal training to younger trainees

– Connection of sound and breathing with physical activities

– Redefining the use of sound in song and speech

– Use of the text in relation to the body and the sound it produces

– Text score

– Speech

Production – Part B.

– Creating an ensemble performance

3rd Annual Cycle

Dimensional Actor

– Creation of a personal performance (solo performance)

Information

Course: Theater of Research

Where: Fabrica Artspace

When: Every Wednesday or Thursday, 17:00 – 20:00

(The posted program is indicative. Those interested are kindly requested to contact the Fabrica Athens team for the hours of the classes, as they will be configured based on their own needs and will be able to range from morning, noon and afternoon. In addition, they have the opportunity creating closed sections with their familiar faces. All departments are small. Due to the special circumstances it is necessary to book a place by phone and to be informed 1 day in advance in case of cancellation. The sections that will be created will be closed and their configuration will be completed by the beginning of November. )

Cost: For packages and information contact us at the following details

Reservations: +30 6949409474 (by phone)

Information: researchtheater@gmail.com, 210 34 11 651 (Monday to Friday, 12:00 – 16:00).